Subway Experience – Shoutout to the (drunk?) man at Ossington Station, who felt that the subway floor was a perfect space to lie down and space out for five stations during rush hour. He is the millenial rapper, a region-less amalgamation of the popular sounds of today, a fan of rap music so much that he cannot help but show his appreciation in even his most personal expressions. Its just too bad that he wants to be like the other rappers, because while the grind, effort and skill is there, the voice is not. Shouting them out on Twitter, calling those who pre-order his albums, and just being truly appreciative of his die-hard fans who have made him a name to know in the genre are all great virtues. Beyond that, his love and appreciation for his fans is something that I wish more artists would emulate (you could even say he ‘lifted’ this from J. He can spit with some of the best, and his skills have been recognized by some of the big names in rap today. His technical ability as a rapper has always been there, and True Story is no different. And Logic as an artist, there is much to love about him. We have all gone into FL Studio and recreated our favourite beats, sounds, and styles, and Logic loves giving homages to the sounds that inspired him. Because as a hip hop fan, you can definitely see his love for the genre. This interview makes me want to like Logic and this album more. Logic has addressed these ‘copying’ and ‘lifting’ allegations in this interview below. Logic wants you to hear him explain his story, but when that story sonically references the familiar, it loses that personal edge Logic has been vying for. So when Logic comes through with his more personal tunes like ‘Paradise’ where he talks about his early childhood, to ‘City of Stars’ which addresses his racial status that has been plaguing his career up until this point, his frustrations lose their voice behind all too familiar sounds. Each reference taking me further and further away from hearing Logic’s concept come to fruition, muddled under his influences and peers. Even Days Before Rodeo has its familiar melody on the song ‘Stainless’. From Kanye drums on ‘Contact’ to the Kendrick inspired ‘Like Woah’, to the almost hilarious misstep that is ‘I Am The Greatest’ which masquerades as a If You’re Reading This-era Drake banger, reinforce his work as a bricolage of his inspirations. This trend continues throughout the rest of the album.
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The chance was there for Logic to create his own sound and soundtrack to his sci-fi story, but instead opts for invoking the sound of other more established artists. From the first track ‘Contact’, which takes a Kanye style drum beat for ‘Amazing’ and attempts to set-up a futuristic travel through space to a planet called Paradise, where humans will colonize. The biggest gripe with this album has to be its constant familiar sound. With The Incredible True Story (subtitled …And the Transformation of the Man Who Saved the World.), what would have given Logic a chance to set himself apart from the competition he had been chasing, falls victim to trying to be everything and anything at the same time.Ī concept album, a personal story, trappy, poppy, laid-back, banging, singing, spitting, like a lost rapper chasing the next trend in the genre, Logic wants to be the soundtrack to every occasion, but instead ends up vision-less and too referential. Definitely not a classic by any means, Under Pressure was at least a formidable showing for this Gaithersburg product, putting him on the radar for what he would do next.
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Both with true-to-mixtape lyrical tunes to more mainstream sounding, mass appealing sounds for the average listener. His debut album Under Pressure definitely hits the main ideas behind a major label debut.
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An African-American father and White mother, growing up in low-income project housing, crack dealing siblings and drug abusing family members give an artist a lot to express in their lyrics. For Logic, a 25-year-old rapper from Maryland, his story is definitely worth telling. The first album is usually a culmination of your life up to that point, your come up, your biography and what makes you worthy of attention. When it comes to making a name for yourself in the world of hip-hop, while your journey may start and explode with mixtapes and singles, the eventual first and second albums are what cement you in the genre. Young Sinatra’s follow-up still can’t find his voice.